Ennio Morricone - Wikipedia. Ennio Morricone, Grand Officer OMRI (Italian: . He composes a wide range of music styles, making him one of the most versatile, experimental and influential composers of all time, working in any medium. His filmography includes over 7. Sergio Leone films since A Fistful of Dollars (including The Good, the Bad and the Ugly and Once Upon a Time in the West), all Giuseppe Tornatore films (since Cinema Paradiso), The Battle of Algiers, Dario Argento's Animal Trilogy, Bernardo Bertolucci's 1. Exorcist II, Days of Heaven, several major films in French cinema, in particular the comedy trilogy La Cage aux Folles I, II, III and Le Professionnel, John Carpenter's The Thing, The Mission, The Untouchables, Bugsy, In the Line of Fire, Disclosure, Bulworth, Mission to Mars, Ripley's Game and The Hateful Eight. Career advice, tips, news and discussion is coming soon More Career Information. Salaries; Interview Questions; Sample Resumes; Jobs.Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and Philly.com. A Drum Lessons Database ** The Drums / Percussion Resource for Players and Music Educators. Ennio Morricone, Grand Officer OMRI (Italian: At What Point Does Chevy Volt Battery Show Signs of Range Loss? Job interview questions and sample answers list, tips, guide and advice. Helps you prepare job interviews and practice interview skills and techniques. Thank you to Samuel Giddins for releasing this new version of RubyGems just in time for our release. Please help us test this release candidate version of Rails. Throughout his career, he has composed music for artists such as Paul Anka, Mina, Milva, Zucchero and Andrea Bocelli. From 1. 96. 0 to 1. Morricone gained international fame for composing music for westerns. His score to 1. 96. The Good, the Bad and the Ugly is considered one of the most influential soundtracks in history. Morricone worked extensively for other film genres with directors such as Mauro Bolognini, Giuliano Montaldo, Roland Joff. His acclaimed soundtrack for The Mission (1. The album Yo- Yo Ma Plays Ennio Morricone stayed 1. Billboard Top Classical Albums. He functioned during the period 1. Il Gruppo, one of the first experimental composers collectives. In 1. 96. 9, he co- founded Forum Music Village, a prestigious recording studio. From the 1. 97. 0s, Morricone excelled in Hollywood, composing for prolific American directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty and Quentin Tarantino. In 1. 97. 7, he composed the official theme for the 1. FIFA World Cup. He continued to compose music for European productions, such as Marco Polo, La Piovra, Nostromo, Fateless, Karol and En mai, fais ce qu'il te plait. Morricone's music has been reused in television series, including The Simpsons and The Sopranos, and in many films, including Inglourious Basterds and Django Unchained. As of 2. 01. 3, Ennio Morricone has sold over 7. In 1. 97. 1, he received a . In 2. 01. 6, Morricone received his first Academy Award for his score to Quentin Tarantino's film The Hateful Eight (2. His other achievements include three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d'Argento, two European Film Awards, the Golden Lion Honorary Award and the Polar Music Prize in 2. Early life. Morricone, who had four siblings, Adriana, Aldo, Maria and Franca, lived in Trastevere, in the centre of Rome, with his parents. Mario was a trumpet player who worked professionally in different light- music orchestras, while Libera set up a small textile business. Compelled to take up the trumpet, he entered the National Academy of St Cecilia, to take trumpet lessons under the guidance of Umberto Semproni. He completed it within six months. He studied the trumpet, composition, and choral music, under direction of Goffredo Petrassi, who influenced him; Morricone has since dedicated his concert pieces to Petrassi. In 1. 94. 1, Morricone was chosen among the students of the National Academy of St Cecilia to be a part of the Orchestra of the Opera directed by Carlo Zecchi on the occasion of a tour of . After he graduated, he continued to work in classical composition and arrangement. Although the composer had received the Diploma in Instrumentation for Band Arrangement (fanfare) with a mark of 9/1. Conservatory of Santa Cecilia in 1. Diploma in Composition, under the composer Goffredo Petrassi. The composer continued with the composition of other 'serious' classical pieces, thus demonstrating the flexibility and eclecticism which has always been an integral part of his character. Many orchestral and chamber compositions date, in fact, from the period between 1. Musica per archi e pianoforte (1. Invenzione, Canone e Ricercare per piano; Sestetto per flauto, oboe, fagotto, violino, viola e violoncello (1. Dodici Variazione per oboe, violoncello e piano; Trio per clarinetto, corno e violoncello; Variazione su un tema di Frescobaldi (1. Quattro pezzi per chitarra (1. Distanze per violino, violoncello e piano; Musica per undici violini, Tre Studi per flauto, clarinetto e fagotto (1. Concerto per orchestra (1. Goffredo Petrassi. He was hired by RAI in 1. Subsequently, Morricone became a top studio arranger at RCA Victor, working with Renato Rascel, Rita Pavone, and Mario Lanza. Throughout his career Morricone has composed songs for several national and international jazz and pop artists. In 1. 96. 2 Morricone worked with American jazz singer Helen Merrill as an arranger on an EP . Nicole, 1. 96. 2), Rita Pavone (Come te non- ce nessuno and Pel di carota from 1. Luis Bacalov), Catherine Spaak (Penso a te; Questi vent'anni miei, 1. Luigi Tenco (Quello che conta; Tra tanta gente; 1. Gino Paoli (Nel corso from 1. Morricone with Paoli), Renato Rascel (Scirocco, 1. Paul Anka (Ogni Volta), Amii Stewart, Rosy Armen (L'Amore Gira), Milva (Ridevi, Metti Una Sera A Cena), Fran. This song was arranged and conducted by Morricone and sold over three million copies worldwide, including one million copies in Italy alone. The Italian Hitparade No. During the following decades, the song was covered by several performers in Italy and abroad most notably by Fran. Other notable compositions for international artists include: La met. He occasionally adopted Anglicized pseudonyms, such as Dan Savio and Leo Nichols. In 1. 95. 9, Morricone was the conductor (and uncredited co- composer) for Mario Nascimbene's score to Morte Di Un Amico (Death of a Friend), an Italian drama directed by Franco Rossi. In the same year, he composed music for the theatre show Il Lieto Fine by Luciano Salce. The 1. 96. 0s began on a positive note: 1. Luciano Salce's Il Federale (The Fascist). In an interview with American composer Fred Karlin, Morricone discussed his beginnings, stating, My first films were light comedies or costume movies that required simple musical scores that were easily created, a genre that I never completely abandoned even when I went on to much more important films with major directors. In 1. 96. 2 Morricone composed the jazz- influenced score for Salce's comedy La voglia matta (Crazy Desire). That year Morricone arranged also Italian singer Edoardo Vianello's summer hit . A few of these compositions have been made available on CD, such as . The Rome- based avant- garde ensemble was dedicated to the development of improvisation and new music methods. The ensemble functioned as a laboratory of sorts, working with anti- musical systems and noise techniques in an attempt to redefine the new music ensemble and explore . Perhaps the most famous of these is their album entitled The Feed- back, which combines free jazz and avant- garde classical music with funk; the album is frequently sampled by hip- hop DJs and is considered to be one of the most collectable records in existence, often fetching over $1,0. Their influence can be heard in free improvising ensembles from the European movements including Evan Parker Electro- Acoustic Ensemble, the Swiss electronic free improvisation group Voice Crack, John Zorn. The ensemble's groundbreaking work informed their work in composition. The ensemble did also perform in varying capacities with Morricone adding noise to some of his '6. Italian soundtracks, including A Quiet Place in the Country (1. Cold Eyes of Fear (1. During the sixties and seventies he composed the scores for comedies such as Diciottenni al sole (1. Il Successo (1. 96. Lina Wertm! Morricone has never ceased to arrange and write music for comedies. In 2. 00. 7, he composed a lighthearted score for the Italian romantic comedy Tutte le Donne della mia Vita by Simona Izzo, the director who co- wrote the Morricone- scored religious mini- series Il Papa Buono. Before being associated with Leone, Morricone had already composed some music for less- known western movies such as Duello nel Texas (aka Gunfight at Red Sands) (1. In 1. 96. 2, Morricone met American folksinger Peter Tevis, who is credited with singing the lyrics of Morricone's songs such as . Film director Sergio Leone hired Morricone, and together they created a distinctive score to accompany Leone's different version of the Western, A Fistful of Dollars (1. The Dollars trilogy. Morricone used his special effects to punctuate and comically tweak the action—cluing in the audience to the taciturn man's ironic stance. Though sonically bizarre for a movie score, Morricone's music was viscerally true to Leone's vision. As memorable as Leone's close- ups, harsh violence, and black comedy, Morricone's work helped to expand the musical possibilities of film scoring. Morricone was initially billed on the film as Dan Savio. A Fistful of Dollars came out in Italy in 1. America three years later, greatly popularizing the so- called Spaghetti Western genre. For the American release, Sergio Leone and Ennio Morricone decided to adopt American- sounding names, so they called themselves respectively Bob Robertson and Dan Savio. Over the film's theatrical release, it grossed more than any other Italian film up to that point. Morricone specifically exploited the solo soprano of the group, Edda Dell'Orso, at the height of her powers . All three films starred the American actor Clint Eastwood as The Man With No Name and depicted Leone's own intense vision of the mythical West. Some of the music was written before the film, which was unusual. Leone's films were made like that because he wanted the music to be an important part of it; he kept the scenes longer because he did not want the music to end. According to Morricone this explains why the films are so slow. Despite the small film budgets, the Dollars Trilogy was a box- office success. The available budget for The Good, the Bad and The Ugly was about US$1.
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